Art director, motion designer and editor from Salvador, Brazil. I design the statics, animate the titles, cut the video and write the hooks.
Usually replies same day · English & Portuguese · works US-Eastern hours
Key visuals, posters, packaging and campaign systems. Built as rules, so the fiftieth asset still looks like the first.
Show packages, titles, transitions and lower thirds — plus the editable templates so your team keeps making them without me.
Cinematic, documentary and short-form vertical. Hooks, rhythm, and captions that carry it with the sound off.
One long-form record turns into a YouTube cut, ten verticals, a set of statics and an email. Thumbnails and titles included.
Hover any clip to play it · open one for the full set
Send me the brief, or grab half an hour. I’ll tell you straight if I’m the right person for it.
Twenty-seven 9:16 edits for real consumer brands. Hook in the first second, captions that carry it with the sound off, cut to hold a thumb.
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A Halloween show package for a US pet channel — spooky enough to be fun, safe enough for kids. Built as editable templates so their team could keep making them.
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Same channel, opposite mood. A soft 3D title build and a pink grade for a series about pets and the people who love them.
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A reusable motion system for a fast-shipping AI studio — titles, lower thirds and CTAs their own editors could drop in without me.
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Two years in-house at one of Brazil’s biggest cultural centres. A week of assets in a day, every week of festival season — posters, animated OOH, metro screens, a different artist every night.
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A paid-social campaign for an agency selling creative performance. One modular grid — fixed type scale, swappable subject — and thirty-three placements came out of it.
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