Let’s talk — Book a strategy callCreative director, motion designer,
video editor & automation builder.
Films, motion systems and custom AI workflows for brands and agencies. More room for the work. Less friction in the process.
The Motion Show is my own app, being built in public. I’m shaping the product and creating its motion identity — including one of my most ambitious animations to date.
A living project · In development
The animated introduction to my own creative production app, The Motion Show. Geometric characters, kinetic typography and an illustrated editing workspace turn the idea of a reusable motion system into a visual story. My work spans product direction and motion design.
Creativity starts with someone who has something to say.
Cinema taught me to pay attention to people, rhythm and the choices that make a story feel true. Motion design gave me a way to bring those instincts to life, one frame at a time.
I use AI to take repetitive production work off a creator’s plate, opening up time to explore and express themselves. The person’s voice, taste and intention lead. Technology is a creative partner; authorship and the final say stay human.
That’s the belief behind my work—and The Motion Show.
A few different worlds, seen through the same lens. Motion, editing, film and AI experiments. Pick a frame. Press play.
A cross-section of my work in motion design, art direction and video editing. The reel moves between illustrated show identities, kinetic typography, live-action performance and experimental film, bringing the different sides of my practice into one sequence.
Independent films, personal questions and a different sense of time. A quieter side of the practice.
01 / FILMA short film I directed and edited, moving between night-time street scenes, intimate domestic moments and a theatrical performance space. The contrast between everyday surroundings and staged portraiture runs through its visual language. Mona was an official selection at the Tiradentes Film Festival.
Direction / Editing
02 / FILMAn experimental short I directed and edited during quarantine. High-contrast portraits, silhouettes and layered imagery move between white space and near-black frames, with a fragmented title treatment closing the film. Reexist was a semifinalist at Curta Quarentena Festival.
Direction / Editing
03 / FILMA short film I directed and edited, built around a performance in a room filled with books, plants and collected objects. Colour portraits alternate with isolated monochrome inserts and on-screen text. The film received five international festival selections.
Direction / Editing5 festival selections
See the selections0:45The animated introduction to my own creative production app, The Motion Show. Geometric characters, kinetic typography and an illustrated editing workspace turn the idea of a reusable motion system into a visual story. My work spans product direction and motion design.
1:54A cross-section of my work in motion design, art direction and video editing. The reel moves between illustrated show identities, kinetic typography, live-action performance and experimental film, bringing the different sides of my practice into one sequence.
0:06A compact 3D intro built around a rotating package reveal. Dark metallic surfaces give way to purple smoke, floating objects and a gold wordmark, with the entire sequence unfolding in just over six seconds.
0:15A surreal vertical beverage concept with an oversized can pouring into a floating landscape. Fruit, city buildings and a split day-and-night sky share the frame, combining product imagery with a deliberately impossible sense of scale.
1:34An event edit moving through the people, food, textiles and handmade objects of Feira Mercado Fundição. Close details of stalls and artwork sit alongside portraits, giving the market's activity and visual textures room to register.
3:37A performance-led music video for Cortês, combining dance, a crowded party setting and close portraits. Warm light, glittering accessories and deep shadows give the edit a theatrical visual texture.
0:23A Bones Coffee store-visit edit following Lauren through the drink aisle. The cut moves between her reactions, flavour displays and a can close-up, with captions and a Walmart location tag carrying the shopping context.
0:15An AI-generated creator-style concept for an Alto Norte rain shell. A direct-to-camera introduction on a covered deck leads into sleeve and water-shedding close-ups, with on-screen text carrying the product demonstration.
Ten years in the craft teaches you what to keep human. I bring creative direction and technical thinking together, so the process gives good work more room to happen.
A clear idea, a visual language, a story worth telling.
From a first frame to the final cut. Rhythm, character and intention in every detail.
Connect the repetitive parts. Make the creative decisions count.
AI in the pipeline.
For speed, not for judgement.
Understand the bottleneck. Shape the creative and the system. Hand over something your team can actually use.
A creative mind with a systems habit.
I’m a creative director, motion designer and automation builder based in Salvador, Brazil. Ten years of making have shaped a practice that moves between visual storytelling and the tools that make it possible.
A little more about meEither. A standalone film or motion piece can be the entire project. If your team has a repeatable production challenge, we can build a workflow around it.
That’s the starting point. We look at how your team already works and choose what genuinely helps, before adding anything new.
We define the outcome, the deliverables and the scope together. A focused first project gives us something useful to build on.
A film. A motion system. A smarter way to create.
Tell me where you want to go.